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The Traveller’s Rest Inn, Grasmere, Lake District

For ten years now I’ve joined the annual pilgrimage. It started out with four friends, then expanded by a few more, then partners, now their children. For a week we rent a house in one of the towns or hamlets in the Lake District, one of the wettest and beautiful parts of England, to catch up and hike its mountains.

Recent years have seen the slow dilution of walking’s centrality to the holiday. Children, my dear boy. Where once four or five of the seven days saw most of the group venture out for a day-long hike, now the day is defined by child-centred activities and anticipation of the evenings when pitter-patter is replaced by adulthood and breaking bread.

This year, our destination was Grasmere, where Wordsworth lived and wrote his best work. It’s the land of stone houses and slate roofs, sheep farms and the majestic ‘Wainwrights’ (mountains) looming down on the village, neighboured by the brooding Lake Grasmere. On our first full day, I spotted a white-washed, two-storey inn on the main road that outskirts Grasmere village. Its signs are defined by a silhouette of a walker replacing the A in THE TRAVELLER’s REST. I was enticed.

The day-long hikes, I’ve realised after a decade of them, take a particular course. The first ascent of the day is usually the toughest. There’s always a map wielder among us. There are the talkers, who entertain or occupy minds. There are those who are focused on getting up and getting down, comforted along the way by the views and snacks. Sleet or rain always bring risk of going the wrong way. There’s always a false peak. False and real ones are always accompanied by sheep: usually a small group, oblivious to height or proximity to precipice, looking bewildered at the spectacle of humans.   

The peaks are cold and you can’t stop for too long. Yet two things are spectacular: the views and the feeling of remoteness, that feeling that nothing but earth and rock are near you for miles. The final descent is usually tough on the knees.  

Lastly, there’s always that push among some of us for a post-walk pint. With knobbly knees and punch-drunk tiredness, we’ve thirst and need for relief. Only two of us did a ‘long walk’ this year. The route to Blea Rigg and Tarn Rigg was accessible from the house. Spouses in need of relief from a day’s entertaining were undeniably waiting for our return. Yet it was a Monday afternoon, around 4pm, five hours of walking done. When did we ever get a Monday afternoon pint? Not even bank holidays. We were travellers in need of a rest. 

An open fire just just inside the front door greeted us. The barman – fifties, tall and dressed semi-formally and all in black – let his Northern accent (I’m guessing Cumbrian) come through as we discussed the crisp options and payment by card. Four or five draft beer options presented themselves but Loweswater Gold won it. It’s in the name. Then into one of the snugs in the one of the two rooms for patrons, where nothing distracted us from the view of the mountains we’d just conquered, the slow peace from the beer and our own easy chat amidst a backdrop of low burble from the other tables.

I can’t offer much other information about the pub except that the menu looks good (e.g. Hunters Skillet of pan fried chicken livers with Rich Jus for starters, £9.95; Scallops and Pancetta Linguine for mains, £17.95). There are separate dining areas for evening meals and for the ten letting rooms’ lodgers (presumably for breakfasts). Either side of the building has an expanse of beer garden with appealing views. After one pint, we left with hope of return.

Something about the pub I couldn’t put my finger on gnawed at me for a few days. There was something strange about the atmosphere. On the evening we got home from the pub I couldn’t find the water bottle from the walk. That gave me a reason to go back to the pub.

The last day of the holiday brought biblical rain levels – volumes often seen in those parts. Dripping wet, I ran in at Friday lunchtime. The open fire was even more inviting and this time I thought of more than one. I realised what was strange. It was the atmosphere of a pub with no locals – none of the easy banter that emanates from patrons who know each other, staff and a place well. The pub’s architecture doesn’t help. But located on the main road, an unpleasant walk at night from the village, it’s only surrounded by farms. The pub can’t do anything about that. But it can keep providing rest, for an hour, for a night, for a week, from the rain.  

(Two pints of Loweswater Gold and two packets of crisps: €13.28, current converted)

The Thursday tipple: JJ Smyth’s, Aungier Street

JJ Smyth’s exterior spells confidence: recently painted walls of contrasting colours; large, national flags almost draping the building; a large plaque commemorating famous Irish poet and lyricist Sir Thomas Moore, who was born here. When I open the door, my arrival brings cold autumn air and surprise to the dated interior and the handful gathered.

Three young German women are conversing with the barman and it looks serious.

‘Most of them are about 4.2 or 4.3%,’ he says of the beers’ strengths, looking at the taps reflectively.

‘Weaker than in Germany,’ they say.

‘Yes, true,’ he nods. ‘But if you drink enough of these you end up with the same result.’

Their laughter scatters the quietude, a hush that contrasts with the vibrant, lively nights this pub saw for 30 years as unofficial home to Dublin’s jazz. Renowned Irish jazz guitarist Louis Stewart had Monday night residency here. Ex-Miles Davis saxophonist Dave Liebman regaled the place.

We went to the last live gig here in early 2016, a Sunday afternoon session with Nigel Mooney, grandee of Dublin’s jazz scene, who plies a trade of classic guitar and enchanting voice. In 1986, Mooney persuaded JJ Smyth, owner till he sold the pub last year, to give his blues band a three-week trial in the long, dark, upstairs bar, previously used for weekly darts tournaments and occasional lesbian discos.

‘Will the end of jazz here affect how much work you get?’ I asked Mooney that day.

‘Oh, it’s only about 90% of my work,’ he said. For hours that afternoon he brought old pal after old pal on stage to give a swansong, a palpable sense of the curtain drawing on an era. We stood beside an octogenarian Dub who’d ventured into town to be at that final gig. Jazz had always been his thing. It was his homage to the place that had been Dublin’s jazz scene for all those years.

As I take my pint from the bar I ask the young barman why the new owners have dropped the music. ‘Was costing too much to have a barman upstairs for a whole evening just to cater for the gigs,’ he says.

Echoes of lost jazz contrast with the excessive thump of 80s, 90s and beyond bellowing from the sound system. The German girls soon leave and the inescapable, invasive music seems wrong in a bar with a handful of locals and a middle-aged, suited man with dyed black hair who looks like he’s entered the wrong establishment. Red candles held in Gunpowder Gin bottles contrast with the soft green seating, red walls and purple carpets. Little white lamps adorn the wood-panelled wall beyond the bar. It’s late November and the interior ironically feels almost fashionable given it’s pre-Christmas.

A middle aged group enters, shake hands with two frequenters they obviously know. ‘Can I get a dodgy pint of Guinness?’ one of them asks the barman. The additions change the balance between talk and other noises. The German girls return. Another group of tourists enter, ask a local to take a photo of them and another conversation starts.

This is the unpredictability the visitor faces: somewhere that might have no life; or a milieu of ‘old Dublin’ locals in for a no-frills pint and banter, and tourists who’ve serendipitously wandered in. It feels like it oscillates between the two – by the week, by the night, by the hour.

The weekend after I visit the pub I spot an ad for Sunday afternoon sessions by Mooney and accompaniment in a Dublin hotel. Smyth’s seems bereft without the jazz, but the music has moved on. The law of life is change.

Prices (23 November 2016)

Pint of Guinness: €5.20

Pint of lager: €5.70

Measure of whiskey: €5.20

1/4 bottle of wine: €6.60